The Xikou Shaft along the Tsengwen River inspires this artwork. This key structure diverts water from the Tsengwen River into the Wushantou Reservoir to irrigate the Chianan Plain. The piece uses yarn made from recycled oyster shells, woven into swirling vortex-like patterns using the Loop Weaving technique. Nearly ten thousand milkfish scales are incorporated to recreate the shimmering waves of the Taijiang Inner Sea, while fabric strips dyed with plant-based dyes and salt crystals reflect the cultural and scenic beauty of the Tsengwen River basin.
The entire work employs the imagery of water flow and cycles to reinterpret the interconnected relationship between humans and nature.

曾文溪以台江內海為起點，沿河而上有著鹽田、魚塭的養殖，而大圳之路上的嘉南平原也因為烏山頭水庫與嘉南大圳的建設，已不再是「青瞑蛇」的肆虐之地，而這沿途粼粼的波光成為了開墾者們駐足過的痕跡。

作品靈感來自曾文溪上游的「西口小瑞士豎井」，這個豎井是曾文溪流經烏山頭水庫，引入嘉南平原灌溉的路徑，作品運用回收蚵殼製成的紗線，再以Loop 編織技法呈現漩渦造型，並結合近萬片透明的虱目魚鱗，重現台江內海波光閃耀的模樣，作品同時加入了苦楝樹染色的布條與鹽結晶，以此傳遞出內海與大圳之路沿途的人文與風景，整件作品透過水流和循環意象，重新賦予了人與自然相互依存的關係，藉由這樣的連結讓觀者能更了解這片土地的現在與過去。